• Authors: Maria Teresa Ocaña, Ornella Volta, Werner Spies, Lluís Bagunyà, Sònia Villegas, Claustre Rafart, Malén Gual, Anna Fàbregas Publication year: 1996 Pages: 166 Languages: Catalan, Spanish Publisher: Institut de Cultura de Barcelona. Museu Picasso / Àmbit Serveis Editorials ISBN: 84-87342-48-5 (Catalan), 84-87342-49-3 (Spanish) OUT OF PRINT
    Camí: /museupicasso/en/picasso-i-el-teatre-parade-pulcinella-cuadro-flamenco-mercure
  • Authors: Maria Teresa Ocaña, Juan Manuel Bonet, Rosa Vives, Lluís Bagunyà, Claustre Rafart, Malén Gual Publication year: 1997 Pages: 340 Languages: Catalan, Spanish, English, French Publisher: Institut de Cultura de Barcelona. Museu Picasso / Lunwerg ISBN: 84-7782-478-9 (paperback) (English); 84-7782-464-9 (hardback) (English) Price: 33 euros Catalan / Spanish (paperback), 47-18 euros Spanish (hardback)
    Camí: /museupicasso/en/picasso-la-formaci%C3%B3-dun-geni-1890-1904
  • Author: Brigitte Baer Publication year: 1998 Pages: 96 Languages: Catalan, Spanish, French Publisher: Institut de Cultura de Barcelona. Museu Picasso / Réunion des Musées Nationaux (Paris) ISBN: 84-7609-892-8 (Catalan), 84-7609-893-6 (Spanish ed.), 2-7118-3496-4 (French ed.) Price: 6 euros
    Camí: /museupicasso/en/picasso-gravats-1900-1942
  • Camí: /museupicasso/en/picasso-er%C3%B2tic
  • Authors: Maria Teresa Ocaña, Valeriano Bozal, Brigitte Léal, Susan Grace Galassi, Rosa Vives Publication year: 1999 Pages: 295 Languages: Catalan, Spanish, English Publisher: Institut de Cultura de Barcelona. Museu Picasso / Electa ISBN: 84-8156-239-4 (English ed.) OUT OF PRINT
    Camí: /museupicasso/en/picasso-paisatge-interior-i-exterior-0
  • This publication reproduces seventy works from different private collections, linking them in some cases to the collection at the Museu Picasso in Barcelona. These temporary loans have been on display at the Museum from March 2006 to January 2008.
    Camí: /museupicasso/en/la-col%C2%B7lecci%C3%B3-del-museu-picasso-una-nova-mirada-0
  • The catalogue reproduces the entire series of Las Meninas that Picasso painted in 1957, together with other works by almost 25 different artists from various periods also inspired by Velázquez's masterpiece. By means of various essays and analyses of the featured works, the book invites a new reading of Picasso's series, rooted in the tradition of Spanish painting and at the same time highlighting its significance as a precursor of our contemporary interest in issues addressed by many subsequent interpretations, which have engaged concepts such as the space, the weight of the iconographic elements or the presence of the processes of artistic creation and of the artist himself in the resulting work.
    Camí: /museupicasso/en/oblidant-vel%C3%A1zquez-las-meninas-0
  • Over the centuries Japanese erotic prints have been known by different names, such as shunga, makura-e or warai-e. Another related term was higa-e, meaning 'secret images'. This catalogue presents for the first time some twenty of these prints which belonged to Picasso. In order to establish a thought-provoking dialogue we have selected a number of Picasso's own erotic etchings and various works by other artists, both Japanese and Western, which together shed new light on the phenomenon of European interest in Japanese art and on the links between this and the work of Picasso.
    Camí: /museupicasso/en/cat%C3%A0leg-imatges-secretes-picasso-i-lestampa-er%C3%B2tica-japonesa-0
  • This outstanding tour through of more than 250 images sheds light on the shifting relationship between Picasso and the modernista artist par excellence, Santiago Rusiñol. At the outset, Picasso deeply admired Rusiñol as a man and an artist and adopted many of his postulates and practices. Eventually, however, after this period of absorption (to use the term employed by Eduard Vallès, the exhibition curator) Picasso distanced himself from Rusiñol almost for good through satire and caricaturisation. This path (illustrated to perfection by Picasso's 21 portraits of Rusiñol ) is a paradigmatic example of the creative and life processes of the painter from Malaga.
    Camí: /museupicasso/en/picasso-versus-rusi%C3%B1ol-0
  • In January 1937, Picasso began work on two etchings in which he poured forth a bitter satirical critique of General Franco and the violence being unleashed against Republican Spain, and a denunciation of the suffering of the victims of the country's bloody civil war. Each of the etchingsis composed of nine cartoons, initially intended to beprinted and sold as individual postcards. The artist chose the title "Dream and Lie of Franco" for these aquatints, which went on sale finally (uncut, in a folder with one of his poems) at the Paris International Exposition of that year. "Dream and Lie of Franco", one of the most emblematic works Picassocreated at the time, is the pivotal axisof the exhibition "Cartoons on the Front Line", which explores in depth the connections between the graphic and symbolic language Picasso used hereand the rest of the art and propaganda produced in the context of the Spanish Civil War. The show and the catalogue cast new light on the indissoluble links between Picasso and his work and the society and the time in which he lived.
    Camí: /museupicasso/en/vinyetes-al-front-0